About

I capture fleeting moments — emotional imprints that evoke absence, memory, and fragile presences on the verge of disappearing. My work explores what remains of someone or something that once was.

As a multidisciplinary artist, I quietly reflect on the passage of time and the subtle human traces left behind — felt long after by those who follow. Through photography and printmaking, I merge digital and analogue processes to examine the delicate interplay between people and their environments: how they inhabit, mark, and eventually leave them.

Memory, archive, and objects sit at the heart of this practice. I am drawn to the photograph and the everyday object as vessels — not just of image or function, but of presence. Family archives, inherited photographs, the things people leave behind: these become raw material, a way of reaching back across time to recover what might otherwise be lost. Handwriting on the back of an old photograph. A doily placed with care in a home now gone. A face that fewer and fewer people can name. These are what I return to — each a quiet archive of a life lived, a love held, a presence that lingers even as it fades. To hold them is to feel someone reaching back across time.

In recent work I have been exploring translucency — both as material and metaphor. Sitting within an archive of family images, I layer photograph upon photograph, figure upon figure, letting faces and moments bleed through one another. What emerges is something between memory and dream: generations overlapping, presences half-seen, intimacy and loss. Like memory itself, nothing is fully clear — but nothing is entirely gone.

I share personal moments that resonate with universal experiences — small gestures that hold the echo of something larger. Through photographs and prints, I aim to offer small glimpses into who we are, what we carry, and how we are shaped by the people and places around us.